Tag Archives: light

The Light Through The Window

October 31, 2015: The Window, Big Bend National Park

October 31, 2015: The Window, Big Bend National Park

Of all the magnificent scenes that Big Bend National Park has to offer, none is more compelling than that of The Window, a V-shaped notch in the Chisos Mountains visible from the Chisos Basin visitors center complex. This past Saturday, while on vacation in Big Bend, I waited for sunset to appear through The Window — the obligatory, must-take-home photographic shot. But while waiting for the brilliant hues that only a far West Texas sky can provide, I found myself tracking another kind of light. Every few seconds, it seemed, the rays of light subtly moved, shifting their course from the tops of mountain peaks to down near The Window Trail that I and thousands of other park visitors have traveled.

I lowered the camera and watched the near-final light of day dance across the valley below. Then I raised the camera, sampling the light, grateful that it was not yet time for the sun to descend.

A Well-Traveled Road, and Light

Thanks for the lift, Joel Meyerowitz!

ONCE MORE AROUND THE SUN

Lift

This road is one we have walked on almost every day for the last few years. The land rolls and dips and changes color with the seasons and the light. Some days it has a piercing blue sky and on others it is rain soaked and leaden, or rain bowed and glorious, and it never fails to lift my spirits. I salute it by raising the camera in acknowledgement, and saying thank you.

08-20 land L1032567.

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“Slash of Light”

Reflections of light, and of one’s self, from photographer Joel Meyerowitz …

ONCE MORE AROUND THE SUN

Self Portrait

I was walking through the living room when this slash of light caught my attention. It dissolved the wall in a way that made the mirror’s rectangle, and the space within it, part of the graphic energy of the place, with the doorways and windows behind. And there I was; looking into the image and suddenly a self portrait suggested itself.

I don’t make a lot of self portraits, or I haven’t for many years, and seeing myself there, on the first year of living in Europe, I sensed that it was time to record who I was at that moment, and perhaps make more of them now and then so that at this age, (75) I could watch myself in the process of aging, just to see how it all turns out.

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Brooding Clouds, Changing Light

Brooding clouds, changing light … beautiful. From renowned photographer Joel Meyerowitz and his blog Once More Around The Sun: A photograph every day for a year.

ONCE MORE AROUND THE SUN

Wonder

Just sitting at a friend’s dinner table watching the oncoming dusk slowly draining the light of the day. A long meditation on change. Light, gliding from the fullness of white clouds to the saturated last licks of color at their tops, and then, right before my eyes, it’s gone, like a magician showing his trick and we not being able to see it – that’s magic!  Not seeing the change while looking at it.

Nature is the magician beyond measure, and every day the phenomena of light shows us such variety and delicacy as to fill our hearts with wonder or joy.

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One Big Ticking Clock

NASA Identifier: globe_east Life on Earth evolved in a natural dark-light cycle. Light is an absolutely fundamental part of our biology. And light, as detected by the eye’s remarkable nonvisual light-sensing system, is the most important environmental time cue for resetting our circadian clocks.

NASA Identifier: globe_east
Life on Earth evolved in a natural dark-light cycle. Light is an absolutely fundamental part of our biology. And light, as detected by the eye’s remarkable nonvisual light-sensing system, is the most important environmental time cue for resetting our circadian clocks.

Light, circadian neuroscientist Steven W. Lockley has explained to me, is a fundamental component of our biology. We need the daily 24-hour light/dark cycle to stay properly synchronized with the world around us. Light, Lockley says, is the most important environmental time cue for resetting our circadian clocks each and every day. That’s why the workings of the eye’s nonvisual light-sensing system are so important.

Light travels to the brain’s 24-hour clock, housed in an area of the brain called the suprachiasmatic nucleus. The SCN is made up of about 50,000 cells, each of which is an individual oscillator, or clock. Together, these cells work to control our physiological and behavioral functions that affect, among many things, alertness, performance and reaction times, heart rate, temperature, glucose and insulin levels, and many genes. Lockley explains that the clock naturally runs at a period close to, but not exactly 24 hours (on average about 12 minutes longer, or 24.2 hours), and has to be reset to 24 hours each day by light.

In recent years, researchers have also discovered circadian clocks in the body’s tissues and major organ systems — the heart, the lungs, the liver, the stomach, the ovaries, the pancreas and many more, which, Lockley beautifully details, act as members of the body’s orchestra, keeping time in the peripheral tissue but under the guidance of the conductor in the SCN.

Essentially, the body is one big ticking clock: For the human machine to run as smoothly as possible, we need properly timed exposure to environmental light. In an ideal world, we would be on natural Earth time, resetting slightly differently each day and through the seasons, not on our constant clock time.

The Rocket Science of Better Light

Photo courtesy of NASA Electric light is coming to the astronauts’ aid in the form of a programmable LED wavelength system. U.S. Astronaut Mike Fincke holds an early prototype of an LED lighting unit that was installed on the space station during Expedition 18 about six years ago.

Electric light is coming to the astronauts’ aid in the form of a programmable LED wavelength system. U.S. Astronaut Mike Fincke holds an early prototype of an LED lighting unit that was installed on the space station.

To work in conjunction with the eye’s nonvisual system, the International Space Station’s high-precision LED lighting system will offer three main settings:

1) high alertness (blue-enriched light): suppresses melatonin, accelerates the shifting of the circadian clock, and boosts reaction times and performance.

2) general illumination: a bright and full spectrum of evenly distributed light — like that of daytime — improves visibility and maintains alertness and cognitive function.

3) pre-sleep, or bedtime (red-enriched white light): de-emphasizes blue light and promotes relaxation and sleep.

The lighting is being designed to help the astronauts relax, sleep, awaken feeling refreshed, and quickly shift their body clocks to better handle dangerous unpredictability in a line of work where one wrong move can mean mortal disaster.

The lights are designed to provide the right light at the right time, from blue-enriched alerting light in the morning, to lighting to maintain good vision during the working day, and then a blue-depleted and lower intensity light before bed to help relaxation and facilitate sleep.

Circadian neuroscientist Steven W. Lockley explains that along with the new lighting, we also need a new way to measure light as the current standards and meters are concerned only with light for vision. Light meters — along with current industry lighting standards — are attuned to the peak light sensitivity of the eye’s daytime color vision system.

The field is designing new ways to describe light so that the nonvisual benefits are also captured, Lockley says, allowing lighting designers and architects to start to incorporate the benefits of light into their designs. The spectral fingerprint of all lighting design should be based on optimizing both the visual and nonvisual benefits of light.

Safety-sensitive occupations, such as those found in the law enforcement and military fields, can benefit from this technology as well. Submarine crews, for example, just like astronauts, lack access to natural light-dark cycles.

A research article published in Acta Astronautica (George C. Brainard, et al., 2012, “Solid-state lighting for the International Space Station: Tests of visual performance and melatonin regulation”) describes the future of lighting.

As the article details, the development of specialized lighting for long-duration space exploration “will ultimately revolutionize how our public facilities, work places and homes are illuminated in the coming decades. … By refining multipurpose lights for astronaut safety, health and well-being in spaceflight, the door is opened for new lighting strategies that can be evolved for use on Earth.”

Everywhere electric light is used, Lockley says, we can do a better job of it. We’re only at the start of understanding what this photoreceptor system does. And as the general public becomes aware of the multipurpose lighting being developed for astronauts, he predicts an explosion in the availability of LED technology on Earth.

NASA Identifier: 259129main_ISS015E18958_full As researchers have written, the development of specialized lighting for long-duration space exploration is helping to open the door for new lighting strategies that can be evolved for use on Earth. The workings of the LED lighting system being developed for the International Space Station hold tremendous implications for myriad lighting applications on Earth.

NASA Identifier: 259129main_ISS015E18958_full
As researchers have written, the development of specialized lighting for long-duration space exploration is helping to open the door for new lighting strategies that can be evolved for use on Earth. The workings of the LED lighting system being designed and tested for the International Space Station hold tremendous implications for myriad lighting applications on Earth.

Confronting Ancient Light

James Turrell casts a long shadow in the art world, and no project is bigger than that of his Roden Crater: an ancient, non-active volcanic crater in the Arizona desert which he is converting to a naked-eye observatory. Michael Govan writes in the book James Turrell: A Retrospective, “In some parts Roden Crater is an architectonic camera obscure, rendering the image of celestial bodies like the sun or moon within spaces we inhabit—bringing outside light inside.”

James Turrell casts a long shadow in the art world, and no project is bigger than that of his Roden Crater: an extinct volcanic cinder cone in the Arizona desert he is converting to a naked-eye observatory. As Michael Govan writes in the book James Turrell: A Retrospective, “In some parts, Roden Crater is an architectonic camera obscura, rendering the image of celestial bodies like the sun or moon within spaces we inhabit—bringing outside light inside.”

Light, as controlled by revolutionary light installation artist James Turrell, becomes something tangible we can touch, something we feel with mind, body, and spirit that pulls us to our higher purposes. Turrell doesn’t experiment with light. His work is light, interacting with us in precisely made spaces that isolate the light and allow us to form relationships with it as a physical presence.

In October 2013, I scored a front-row seat to hear the internationally famous Turrell address a standing-room-only crowd of architecture students and faculty at The University of Texas at Austin. Midday sunlight flooded the ballroom, pouring in through floor-to-ceiling windows and bouncing off Turrell’s thick head of white hair.

I listened, transfixed, as Turrell spoke of a lifetime love affair with light. Now 72, he’s in a race against time to complete one of the most enormous art projects ever tackled: the conversion of the Roden Crater, an extinct volcanic cinder cone, into a naked-eye observatory that draws natural light into underground chambers and tunnels.

Turrell remains focused on his vision of what he calls confronting ancient light: of creating spaces inside the Roden Crater where people can look into parts of the universe that cradle stars older than our solar system.

I, like those around me, fell under Turrell’s spell as his soft, kind eyes swept the room, drawing us into his description of human beings’ relationships with light. We resemble crustaceans, he said, inhabiting these shells we construct. Like hermit crabs playing musical chairs, we move around and within our mobile and immobile shells — vehicles, homes, work places — generally oblivious to how we’re connected, and disconnected, to light.

Turrell described the heart of his work, of creating holes in our shells, whatever they might be, to set the light free. I looked around at people sitting on the edges of their seats. I wasn’t the only one moved. We were all on the same wavelength. At talk’s end, I and hundreds of other people would have followed James Turrell anywhere, coming out of our shells, and into the light.

Light, as Turrell is oft quoted, is not so much something that reveals as it is itself the revelation. Light is.

Watch an exquisitely made short film about James Turrell’s magnum opus, the Roden Crater, at http://vimeo.com/67926427. The film, commissioned by The Los Angeles County Museum of Art, was produced in conjunction with the “James Turrell: A Retrospective” exhibition held from spring 2013 through spring 2014 at the museum. The exhibition, held concurrently with similar ones at the Guggenheim Museum in New York City and The Museum of Fine Arts, Houston, formed a comprehensive retrospective of Turrell’s art career. To learn more about Turrell’s revolutionary work with light, go to http://jamesturrell.com, http://jamesturrell.com/about/reviews, and www.lacma.org/james-turrell-in-the-press.

Watch an exquisitely made short film about James Turrell’s magnum opus, the Roden Crater, at http://vimeo.com/67926427. As commissioned by The Los Angeles County Museum of Art — which provided both photos for display on this page — the film was produced in conjunction with the “James Turrell: A Retrospective” exhibition, held from spring 2013 through spring 2014 at the museum. The exhibition, held concurrently with similar ones at the Guggenheim Museum in New York City and The Museum of Fine Arts, Houston, formed a comprehensive retrospective of Turrell’s art career.

To learn more about Turrell’s revolutionary work with light, go to:
http://jamesturrell.comhttp://jamesturrell.com/about/reviews, http://rodencrater.com/james,
and 
www.lacma.org/james-turrell-in-the-press.